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The swag on display is unimpeachable: from Beyoncé delivering some of her career-best choreography (she ferociously goes toe to toe with Nigerian dancer-artist Papi Ojo) and her enviable cow-print getup to that viral tongue-wagging clip and the male dancers reveling beneath the Pan-African flag.

Queen Bey and Shatta Wale celebrate Blackness right in the Ghanaian dancehall star’s backyard of Nima as well as Accra, the country’s capital. It’s tough to choose just one video from the visual feast that is Beyoncé’s Black Is King film, but “Already” is the one that still sends chills. It’s a wild mix of Fear and Loathing in Las Vegas, Casino, and Joker that only Abel could pull off. It’s quite the, uh, exhilarating ride: from the Weeknd whipping through the streets in a luxury convertible to being serenaded by a lounge singer and later beat up by club bouncers. The video opens with the singer grinning like a madman, his face dripping in blood, and then immediately tailspins into a journey through Las Vegas’s nightlife. “Blinding Lights” picks up where the Weeknd’s “Heartless” left off, following a hallucinogenic trip caused by licking a frog. Starboy meets Sin City for this Anton Tammi–directed bender. It’s a baroque twist on Thriller and Suspiria, with Letissier’s impassioned choreography hitting every emotional peg. There she battles “the Fauna” before becoming the horned creature itself and hunting down her lover (played by Chairlift’s Caroline Polachek). In just under 14 minutes, Letissier transforms the Palais Garnier - Paris’s iconic, regal opera house - into a reflection of her mind’s deepest corners. Héloïse Letissier) called on director Colin Solal Cardo to create a gripping cinematic experience. It would be a sin to simply call it a music video when Chris (a.k.a. Christine and the Queens, La vita nuovaīack in February, French singer-songwriter Christine and the Queens released a surprise EP titled La Vita Nuova, which was accompanied by a short film of the same name. Ackee may be Jamaica’s official national fruit, but after seeing this video, the Ministry of Tourism may want to rethink that.Ĩ. From there, she changes into outfits of lush greens, bold reds, and sunny yellows as juicy as the titular fruit.

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Sevana opens the video fully nude, wearing only her glistening bronze skin and a larger-than-life, Diana Ross–inspired Afro. Co-directed by Yoram Savion and the reggae singer herself, it compares the Julie mango to precious love. Luckily, Sevana’s “Mango” video arrived in mid-July to temporarily satiate me. See, rappers can be sensitive, too - even when they’re squeezing the Glock.Īs travel restrictions got tighter over the summer, the only vacation option left was to daydream about enjoying nature’s candy in my native Jamaica. But it’s not all violence: There’s an added wholesome moment in which DaBaby envisions playing with his adorable daughter. Directed by frequent collaborators Reel Goats (“Suge,” “Walker Texas Ranger,” “Carpet Burn”), DaBaby and his partner in hunting, Roddy Ricch, shoot zombies with impressive precision in a vast forest.

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Here are ten videos that provided a necessary escape from all the unpredictability.ĭaBaby’s “Rockstar” video is a gamer’s fantasy come to life and the rapper’s most cinematic video to date as he goes full Call of Duty: Black Ops. Some artists tackled the pandemic’s aftershocks head-on by inserting powerful social commentary, while others chose to whip up a serendipitous world far, far away from whatever the hell was happening on Earth. And with concerts on hold indefinitely, YouTube held even more weight in 2020 as artists funneled most of their creative energy into music videos to assuage fans who couldn’t stand to look at their bedroom ceilings anymore.

This year has been the ultimate roller coaster, tossing our emotions around for sport.